The Frank Theatre Company
WALT WHITMAN’S SECRET
Written by Sean O’Leary | Based on the novel by George Fetherling
Dramaturgy by C. E. Gatchalian
Directed by Jack Paterson
Based on Canadian literary luminary George Fetherling’s critically acclaimed 2011 novel of the same name, Walt Whitman’s Secret by Sean O’Leary mines the life of the most influential poet in the American canon for insights about creativity, sexuality, relations between the sexes and the often irreconcilable tensions between idealized love and how love actually manifests. Was Whitman – one of history’s most eloquent versifiers on romantic love – ever able to attain the kind of love he wrote so forcefully about?
Featuring Conrad Belau, Adele Noronha, Kamyar Pazandeh and Tom Pickett
Set Design by Michelle Allard | Lighting Design by Itai Erdal | Costume Design by Carmen Alatorre | Sound Design by Dorothy Dittrich | Stage Management by Jethelo Espaldon Cabilete
Produced by the frank theatre company, with the support of Presentation House Theatre
This project was made possible through the generous support of our funders: Canada Council for the Arts, the BC Arts Council, the Province of British Columbia, the City of Vancouver, Metro Vancouver, Myer Leech, and Yosef Wosk; and our media sponsor, DailyXtra.com.
Awards & Nominations: Walt Whitman’s Secret was nominated for 6 Vancouver Jessie Richardson Theatre Awards including Outstanding Direction and Outstanding Production.
Jessie Richardson Theatre Awards:
- Outstanding Performance by an Actor in a Lead Role – Small Theatre: Tom Pickett
- Outstanding Lighting Design – Small Theatre: Itai Erdal
- Outstanding Set Design – Small Theatre: Michelle Allard
- Winner: Outstanding Costume Design – Small Theatre: Carmen Alatorre
- Outstanding Direction – Small Theatre: Jack Paterson
- Outstanding Production – Small Theatre
Press:
“…rich performances…All of the actors are compelling…Tom Pickett sports a bushy beard and a twinkle in his eye as Walt, whose mischievous charm magnetizes both Horace, played with emotional nuance by Conrad Belau, and Anne, to whom Adele Noronha brings a warmhearted, grounded presence. Kamyar Pazandeh’s Pete is confidently captivating”
Kathleen Oliver, The Georgia Straight.
“…beautifully produced and performed…The physical production is gorgeous: the stark white walls of Michelle Allard’s set, the expressionistic flourishes of Itai Erdal’s lighting, and the wit of Carmen Alatorre’s costumes, which are all embellished with the poet’s penmanship. Dorothy Dittrich’s sound design is subtly persuasive. And director Paterson juxtaposes the naturalism of the dialogue-driven scenes with movement sequences in which the characters almost dance as if possessed by their unexpressed longing…The frank theatre company deserves huge credit for taking on such an ambitious project.”
Colin Thomas, Colinthomas.ca
Photos by Itai Erdal
