Bouche Theatre Collective
in association with British Equity WSW London Branch
CHIENE(S)
By Marie-Ève Milot & Marie-Claude St-Laurent | Translated by Rhiannon Collett
Featuring Chantelle St Clair, Molly Small, Jamie Newel, Mary J Tillett, and Hemi Yeroham. Produced by Lola May
On her 30th birthday a woman locks herself in her apartment. Paralysed by fear, she examines the shards of her life with a mysterious young woman. This is a poetic and raw portrait of anxiety disorders and their causes.
Created with extensive research with le Centre d’études sur le stress humain, Chienne(s) was produced by Le Centre du Théâtre d’Aujourd’hui (CTD’A). The production was presented at la Salle Jean-Claude-Germain to sold out houses at Montreal’s Centre du théatre d’aujourd’hui.
“…this show crystallizes the revival of Quebec’s feminist theatre, it is a vibrant homage to art, the place of women to challenge everything, to turn everything upside down, to move from the shadows to the light, from death to life, from imprisonment to freedom.” – Le Devoir
Meet the Playwrights & Translator
Marie-Ève Milot & Marie-Claude St-Laurent are the Artistic Directors of Théâtre de l’Affamée. Mandated to invest in a (re) new Feminist/feminine theatre, they create complex characters that can be identified outside the binary mode of gender, question normativity and provoke new possibilities. Active members of Femmes pour l’Équité en Théâtre (F.E.T.), they co-wrote the Jeu magazine cry t action, addressing the under-representation of women in theatre, and created reference documents for students and faculty about the under-representation of women and the systems that marginalize them. They have written 8 works together including Cour à scrap – Portrait d’une famille reconstituée, Débranchée (Unplugged) (shortlisted for the prix Louise-LaHaye 2017) and Guérilla de l’ordinaire, (shortlisted for the prix Michel-Tremblay 2020). Their essay La coalition de la robe, co-written with Marie-Claude Garneau, was published in Editions du remue-ménage in 2017.
Théâtre de l’Affamée
Marie-Ève Milot (Elle)
Since graduating l’École de théâtre du Cégep de Saint-Hyacinthe, Marie-Eve Milot has been deeply involved in the theatre world. As an actress, she has collaborated with Hugo Bélanger (Princess Turandot, Pinocchio, Peter et Alice), Marc Beaupré (Ce samedi il pleuvait), Serge Denoncourt (Thérèse et Pierrette à l’École des Saints-Anges), Geneviève L. Blais (Si les oiseaux, Local B-1717) and Sébastien David Scratch. She was seen le Petit Théâtre de La Colline in Paris, in Les barbelés by Annick Lefebvre, staged by Alexia Boerger, and then remounted the show at the Théâtre de Quat’Sous. She can be seen on large and small screen (Les pays d’en haut, 5e rang).
Marie-Claude St-Laurent (Elle)
Marie-Claude St-Laurent is an actor, author, feminist activist, co-editor of La Nef aux Éditions du remue-ménage. On the small screen, she was seen in the popular youth show Vrak La vie and is more recently as a cast member in L’écrivain public III and des Sioui-Bacon V. On stage, she produced Guérilla de l’ordinaire, Chienne(s), Toc Toc, Grease and Aller chercher demain. A member of the steering committee of Espace Go, and collaborated in the research study conducted by the RéQEF.
ABOUT THE Translator
Rhiannon Collett (They, Them, Theirs)
Rhiannon Collett is an award-winning non-binary playwright, performer, director and translator based in Montreal and Toronto. Their work explores the ritualization of grief, gender performativity, queer/trans identity and the psychological effects of sexual objectification. Selected playwriting credits include Miranda & Dave Begin Again (2016 Playwrights Guild of Canada RBC Emerging Playwright Award); Wasp; The Kissing Game); Tragic Queens; La Somnambule (an immersive, site-specific adaptation of Djuna Barnes’ Nightwood); The Revolutions (commissioned and produced by Spiderwebshow, a cross-country collaboration featuring artists broadcast live from Montreal, Toronto, Kingston and Vancouver); There are No Rats in Alberta. Their theatre criticism has been featured in The Globe and Mail, Now Magazine, Intermission Magazine and HowlRound. www.rhiannoncollett.com
About Bouche & our Partners
Bouche Theatre Collective (Vancouver, Canada)
Founded in 2012, Bouche has been bringing artists and audiences together separated by language, distance, and culture locally, nationally, and internationally. With a specific focus on the cross pollination between Canadian francophone and anglophone artists and the international community, Bouche reaches out through translation, multi-lingual work, and devised creation. www.bouchewhacked.com
British Equity WSW London Branch (London, UK)
The West and South West London Branch of Equity UK. Equity, formerly officially titled the British Actors’ Equity Association, is the trade union for actors, singers, models, performers, directors, choreographers, designers, stage managers, and other creative workers in the United Kingdom. It was formed by a group of West End performers in 1930 and incorporated the Variety Artistes’ Federation in 1967.