NEWS & BLOG
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NEWS & PROJECTS
International Translation Exchange (Brazil)
Bouche Theatre Collective
& Núcleo Experimental
O LEITO DO RIO
By Eric Noel
Translated to Portuguese
by Zé Henrique de Paula
Translated from FAIRE DES ENFANTS
Saturday Aug. 3, 2024 | 8 PM
Teatro do Núcleo Experimental
(São Paulo, Brazil)
Our Success is Measured in the Success of the Artist We Work With
ANTIGONE IN SPRING
By Nathalie Boisvert
Translated by Hugh Hazelton
Published by Tallonbook
“The Antigone of Nathalie Boisvert’s beautiful text is so close to us…It’s impossible not to feel the contemporary resonance.” – Sorstu.ca
New Translation Development (Inter-Provincial, CAN)
New Translation Canada | Nouvelle Traduction Canada presents
A Digital Workshop Reading of
QCOLONISÉES
By Annick Lefebvre | Translated to English by Johanna Nutter
Monday July 29, 2024
“One of Quebec’s most fierce pens…” – ICI Radio-Canada
2014 in Review
A Year of Directing, Professional Development, Acting, New Works, Devising, Cross Disciplinary
Professional Development 2014: Balinese Performing Arts
“…take the time to take in the details or you might miss something beautiful.” – Mr. Agung Rai, the founder of ARMA Foundation and Museum
Production 2014: BoucheWHACKED!
Contemporary works in translation from across Canada
Professional Development 2014: G.I.T.I.S. (Moscow, RU)
The Stanislavski System and Meyerhold’s Biomechanics
2013 in Review
Professional Development, Producing, Dramaturgy, Translation & Filmaking
From Behind the Table: General Auditions
“The General Audition“
I never expect anyone to be brilliant in an audition. It is almost an impossibility. Was anyone ever brilliant while acting with a chair? What I do hope to find someone who seems capable and someone with whom I might want to spend four weeks in a rehearsal hall” – Michael Shamata, Artistic Director of The Belfry Theatre, (Victoria)
From Behind the Table: The General Auditions Part 3 – Monologue Choices and Presentation
“Even though it may be a general audition the theatre will probably be looking to cast the season they’ve announced. If there’s something the actor thinks they’re appropriate for they should attempt to do everything possible to win the role by tailoring the choice of monologue to the role they think they’re right for.” – George Pothitos, Artistic Director of Neptune Theatre (Halifax)
Artistic Director Mentorship: 3 Provinces, 3 Mandates, 3 Companies
Playwrights’ Workshop Montreal, Theatre Conspiracy & The Magnetic North Theatre Festival