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NEWS & PROJECTS
Our Success is Measured in the Success of the Artists We Work With
Talisman Theatre
STILL LIFE
By Marie-Ève Milot & Marie-Claude St-Laurent
Translated by Rhiannon Collett
Directed by Emma Tibaldo
Translated from Chienne(s)
Oct. 28 – Nov. 9, 2024
La Chapelle Scènes Contemporaines
(Montréal Canada)
ENGLISH LANGUAGE PREMIERE
New Translation
THE LITTLE CABARET: A CELEBRATION OF DISSIDENCE
(For ages 4 to 148 and a half)
By Martin Bellemare
Translated to English by Jack Paterson
Translated from Une petite fête – Cabaret de la dissidence
Commissioned by Le Carrousel, Compagnie de théâtre
Towards an Inclusive Theatre (Vancouver CAN)
AAD+ LABS: REMOTE ACCESS FOR DISABILITY IDENTIFYING (& OTHER) CREATORS
Conceived of by Jack Paterson & Hannah Siden
Aug. / Sept. 2024
Presentation House Theatre
(North Vancouver BC)
Our Success is Measured in the Success of Others: Facelift at di Satiri Di Storie Festival (IT)
Over the last five years, [Bouche Theatre Collective](https://www.bouchewhacked.com/) and I have worked hard to introduce new Canadian works to artists and organisations across Canada and Abroad.
Our Success is Measured in the Success of Others
New Translation Development Workshop
RICKI
By Joseph Shragge
Translated by French by Etienne Lepage
Scapegoat Carnival
Montreal, Canada
The Creatus Project: Intergenerational Producing & Production Lab.
May – June, 2023
“Intergenerational connection and understanding has increased for me. I really enjoyed working with the whole group.” – Anju Singh
Active Access Design Early Research – Directors & Designers Labs.
Towards an inclusive theatre.
Working closely with stakeholders in the community, Active Access Design Labs. examine how to integrate Access tools and Cross Sensory Translation directly into the generative process of theatre weaving access into the very fabric of a work.
The Creatus Project: Intergenerational Directors & Designers Lab.
Intergenerational Directors & Designers Lab.
June 2023
“The Creatus Project has changed my life!”
– Andrea Rabinovitch, theatre & dance maker
NEW CONSTELLATIONS & PERSPECTIVES
PHT STUDIO SERIES
Exploring new ways of making theatre from process to product
May 13, 2023, 2 PM | NTERNATIONAL CREATION & EXCHANGE
May 21, 2 PM | ACCESS & CREATION IN THE PERFORMING ARTS
Coming Soon | AGEING IN THE LIVE PERFORMING ARTS
Pay What you Can
The Creatus Project: Intergenerational New Writing & Creation Lab.
May – June 2023
“It was a joy to be in a deliberately intergenerational creative space. I loved meeting everyone, learning from and building on each other’s ideas.” – Hannah Siden, theatre & film maker
Our success is measured in the success of others: French language premiere of Crawlspace (Toronto, CAN)
French Language Premiere
A Théâtre français de Toronto creation
CRAWLSPACE
By Karen Hines
Translated to French by Mishka Lavigne
April 19 to 23, 2023
New Translation Canada: Libre comme des sauvages
By Tara Beagan
Translated to French
by Charles Bender
Translated from free as injuns
“…invaluable to our Canadian repertoire at this moment in time…” – NOW
Oberammergau Passionsspiele: Exploring a Sacred Theatre (Part 8)
OBSERVING REHEARSALS – DAY 3 : HUMAN STORIES
There is something very German in the aesthetic. Despite the pageantry, ritual, and scale of this project, this is a story about human beings. Human beings are imperfect, messy, and clumsy.
Oberammergau Passionsspiele: Exploring a Sacred Theatre (Part 7)
OBSERVING REHEARSALS – DAY 2: FACING THE PAST
With the challenging history of passion plays and the contemporary history of the region, Oberammergau doesn’t hide from its past. Nor does it hide from its responsibilities.
Oberammergau Passionsspiele: Exploring a Sacred Theatre (Part 6)
OBSERVING REHEARSALS DAY 2 : EVOLVING TO MEET THE TIMES
Widely considered the best part, this year Judas is played this year by 22-year-old actor Cengiz Görür.
Oberammergau Passionsspiele: Exploring a Sacred Theatre (Part 5)
OBSERVING REHEARSALS DAY 2 : MUSIC AND TABLEAUX VIVANT
To maintain the unique traditional skill sets needed for the music, the village has multiple choirs and orchestras operating throughout the 10 year gaps between productions.
Oberammergau Passionsspiele: Exploring a Sacred Theatre – Part 4
INTERMISSION – EXPLORING OBERAMMERGAU
The passionsspiechele echoes through every aspect of Oberammergau. I walk down streets with names like “the kingdom of heaven” and “the way of the cross” or named after past writers and composers of the play.
OBERAMMERGAU PASSIONSSPIELE: EXPLORING A SACRED THEATRE (Part 3)
OBSERVING REHEARSALS – DAY 1
The first performance of the Passionsspiele in 1634 was performed on a simple wooden construction at the cemetery by the parish church. A symbol of victory over the plague in a meaningful location, the passion play took place over the fresh graves of plague victims.
Oberammergau Passionsspiele: Exploring a Sacred Theatre (Part 2)
OBERAMMERGAU
The Oberammergau Passionsspiele has been performed every 10 years since 1634 by the inhabitants of the Bavarian village of Oberammergau (Germany). The earliest continuous survivor of the age of Christian religions vernacular drama, it’s one of the longest running western performing arts traditions and a UNESCO event of Intangible Cultural Heritage.
Oberammergau Passionsspiele: Exploring a Sacred Theatre (Part 1)
PROLOGUE or BACK ON THE ROAD
Perhaps because I’m watching an intergenerational creation with over a hundred community members, or perhaps because I’m watching a known innovator who values the traditional and sacred as well as the new, it seems right to write about another director, another ritual, and another village far from the Balinese sun.
2022: A Year in Review
Main Stage, New Translation & Cross Cultural Devised Creation from Vancouver to Indonesia